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I am a Production Sound Mixer and PSC sound recordist based in Bristol, specialising in drama and long form content.
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I have over 10 years of experience covering a wide range of formats and genres across my career, from film to social media content and everything in between. My approach to every job is meticulous and I consider the different needs of each one of them, making sure that the tight crew and tools are sourced for my department, guaranteeing consistency throughout the production and alleviating the worries on set concerning the sound department.
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I hold an European passport, have a second base in Spain and I have the right to work in the UK. Available to travel and relocate temporarily within the UK and across Europe.
Credit list
Feature Length Projects
* Visceral Images, 2025, Feature Film (LB), Edward Palmer, Sound recordist.
* Deepest Darkest, 2025, Feature Film (LB), Florence Kosky, Sound recordist.
* Empire Of Lies, 2024, Feature Film (LB), Matthew Hope, Production Sound Mixer.
* Made In Checkhov (working title), 2024/25, Feature Film (LB), Tom Brennan, Production Sound Mixer.
* Bad Things, 2024, Feature Film (LB), Anthony Thornton-Hopwood, Sound designer.
* Signs of Life, 2024, Feature Film (LB) Joseph Millson, Sound recordist.
* Queer: Orgullo Familiar, 2022, María Millán, Feature Documentary (LB), Sound editor.
* PlaguePits: The Torture Dead, 2022, Feature Film (LB), Peter Thorndike, Sound recordist.
* The Lost Keys, 2021, Feature film (LB), David Clay Diaz, Sound recordist.
Short Films
* Cat Cat Mouse, 2025, Ginger Britt Daniels, Production sound mixer.
* Playback, 2025, Holly Holdsworth, Sound recordist.
* Generation Glow, 2025, Ette K, Production sound mixer.
* It Is Not Me Is You, 2025, Maud Baring, Sound recordist & sound designer.
* Pomegranate Seeds, 2025, Dot Forrester, Sound recordist.
* James Blonde: License to Deliver, 2025, Oliver Purches, Sound recordist.
* Pop, 2025, Kyle Borg, Sound designer.
* Afro Girl, 2025, Tyler Pierrerson, 1st sound assistant.
* Deadlift, 2025, Joe McDonagh, Sound recordist & Sound designer.
* PitchT, 2025, Ed Willey, Sound recordist.
* 25 Baker Street, 2025, Jack Chapman, 1st sound assistant.
* Easy Does It, 2025, Adam Cowie, Sound recordist.
* Rehearsal, 2025, Kyle Borg, Sound designer.
* When She Signs, 2025, Paul Holbrook, Production Sound Mixer.
* Downsized, 2025, Ed Willey, Sound recordist & sound designer.
* The Score, 2024, Christopher Hewitt, 2nd sound assistant.
* Simon, 2024, Ed Willey, Sound recordist.
* Field Audio, 2024, Ian Ifield, Sound recordist.
* Text Me When You Get Home, 2023, Archie Rowell, Sound recordist.
* Not Surgery Hours, 2023, Tia Salisbury, Sound recordist.
* The Blunt End, 2023, Joseph Walker, Sound recordist & dialogue editor.
* Prepared, 2023, Terry Winnan, Sound recordist & sound designer
* Missing Buses, 2023, Clement Jochem, Sound recordist.
* But I Will Own Them, 2023, Clement Jochem, Sound recordist.
* The Object, 2022, Joseph Walker, Sound recordist.
* The Square, 2022, Amelia Lander & Thomas Arensen, Sound recordist & sound editor.
* Do You See What I See?, 2022, Alexandra Neary, Production sound mixer.
* Fallout, 2022, Persephone Wood, Sound recordist & sound editor.
* Always Bet On Black, 2022, Adam Cowie, Location sound recordist.
* Encore, 2022, Archie Rowell, Sound recordist.
* Between The Lines, 2022, Dom Lee, Foley artist.
* Under Velvet Glove, 2022, Ross Hawkins, Sound recordist.
* Lone Wolves, 2022, Oliver Cane, Sound recordist.
* In A House At Night, 2021, Tomás Ferreira, Sound recordist & sound editor.
* Good Morning Ms Bell, 2019. Director, Producer & Sound editor.
* Flatmate Factor, 2017, Emigrant Beard, Sound recordist & sound editor.
* Sebastian, 2017, Emigrant Beard, Sound editor.
* Good Morning or Buenos Días, 2016, Emigrant Beard, Sound recordist & sound editor.
* La Bruja y el Alcalde, 2014, Guillermo Alcalá-Llorens, Sound recordist & sound editor.
* La Herencia, 2014, Guillermo Alcalá-Llorens, Sound recordist & sound editor.
* El Torturador Argentino, 2014, Guillermo Alcalá-Llorens, Sound recordist & sound editor.
* Tres Maneras De No Matar a Alguien, 2014, Lucentum Digital, Sound recordist.
Short Form Documentary
* There is Rice At Home, 2025, Louise Ndibwirende, Sound recordist.
* Suitcases, 2024, Kyle Borg, Sound recordist & sound designer.
* Growers, 2023, Charlie Wood, Sound editor
* To Be a Mum, 2021, Paula Romero, Sound editor.
* Mothertrucker, 2021, Paula Romero, VO recordist & Sound editor.
* Stories Along The Way, 2021, Marta Cortés, Sound editor.
* Confinement Stories, 2020, The Bristol Cable, Sound editor.
* Not a tall tale, 2019, Agatha Jackson, Sound editor.
Corporate & Branded Content
Working alongside production companies such as Lucentum Digital, World Headquarters, Groundbreak Productions, Here Now Films, KnockKnock HQ, The Edge Picture Company and Magna Studios amongst others to deliver high quality content to clients such as Netflix, ITV, Sky, Dyson, TSB, ExxonMobil, NHS, ASV Servicios Funerarios, Nobia Kitchens, Novia Financial, Zanichelli, Integrate UK, Intuitive and supporting Xfinity during the 2024 Olympics and Paralympics amongst others.​
Pilots
* Joyce's Place, 2025, Stuff & Nonsense, Sound recordist.
* Chattings, 2025, Jack Chapman, Sound recordist & sound designer.
* Still Here, 2025, Hayden Brown, Sound recordist & sound designer.
* En Viu-Viu I El Tre de Vapor, 2021, Otger Perich, Sound recordist & sound editor.
* Wannabe Greener, 2018, Emigrant Beard & Harriet Robinson, Sound recordist.
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